Jefferson airplane somebody to love midi

#Jefferson airplane somebody to love midi plus#
#Jefferson airplane somebody to love midi professional#

Popular MIDI FILES & MP3 backing track downloads.

Plastic Fantastic Lover (Marty Balin) - 3:21ДЎ4.Jefferson Airplane Somebody To Love Midi File Volunteers (Marty Balin/Kantner) - 2:01Д«onus > live, recorded November 28-29, 1969 at Fillmore EastДЎ1. A Song For All Seasons (Spencer Dryden) - 3:26Д 9. Eskimo Blue Day (Slick/Kantner) - 6:31Д 8. Wooden Ships (David Crosby/Kantner/Stephen Stills) - 6:23Д 7. The Farm (Kantner/Gary Blackman) - 3:11Д 6. Good Shepherd (traditional, arr.by Jorma Kaukonen) - 4:19Д 3. We Can Be Together (Paul Kantner) - 5:47Д 2. Jefferson Airplane - Volunteers (1969) Д 1.

The album was released again in 2009 along with the entirety of the Airplane's live performance at the Woodstock Festival in 1969 as Jefferson Airplane Woodstock Experience. In 2003, the album was ranked number 370 on Rolling Stone magazine's list of the 500 greatest albums of all time. The 2004 CD rerelease features 5 additional bonus tracks from the group's annual Thanksgiving concert at the Fillmore East, New York in 1969. A few tracks from the Quad version were included on the 3 CD box set Jefferson Airplane Loves You, however on the box set the 4 channel recordings have been reduced to 2 channels due to the technical limitations of Compact Disc. The Quad mixes are noticeably different than the usual (2 channel) stereo mixes (actually, 'Hey Fredrick' has a completely different lead vocal, 'Volunteers' is a totally different recording, and 'The Farm''s backing vocals by the Ace of Cups is brought up to front). The Quad version was available on LP Record, and Reel to reel, and 8-track cartridge tape. It was to be the last all-new LP for two years Jack Casady and Jorma Kaukonen would now devote more of their energy to their embryonic blues group 'Hot Tuna', while Paul Kantner and Grace Slick celebrated the birth of their daughter China in 1971.Д®ven though the album was released in late 1969, the cover photo dates back to 1967, and features the band wearing disguises, and was taken during the filming of a promotional film made for their single 'Martha.'ДЄ specially remixed Quadraphonic (4 channel) version of the album was also released in 1973. This was to be both Jefferson Airplane's founder Marty Balin and drummer Spencer Dryden's last album with the group, (although they did both appear on the 'Mexico' single released in 1970 and its B-side 'Have You Seen the Saucers?') signifying the end of the best-remembered 'classic' lineup. It also featured that band dabbling in a country rock sound, particularly in 'The Farm' and 'Song For All Seasons'.Дespite its controversies, the album was a commercial success becoming the band's fourth top twenty hit record and went gold within two months of its release.

#Jefferson airplane somebody to love midi plus#

Musically, the album is characterized by lead guitarist Jorma Kaukonen's razor-sharp guitar work (the dueling solos on 'Hey Fredrick', plus 'Good Shepherd' and 'Wooden Ships') and the distinctive piano playing of Nicky Hopkins. The album provoked even more controversy with lyrics such as 'Up against the wall, motherfucker' (from the song 'We Can Be Together') which appeared on the opening track and 'shit' which is said several times on 'Eskimo Blue Day'. The title track was actually inspired by a 'Volunteers of America' garbage truck that awoke singer Marty Balin one morning. The theme of nature, communities and ecology was also explored with the songs 'The Farm' and 'Eskimo Blue Day'. The album was marked with strong anti-war and pro-anarchism songs.

#Jefferson airplane somebody to love midi professional#

The back cover of the album shows a picture of the MM-1000 professional 16-track tape recorder built by Ampex which was used to record the album. It was one of the earliest 16-track recordings. Guests included Jerry Garcia on pedal steel guitar, veteran session pianist Nicky Hopkins, future Airplane drummer Joey Covington on percussion, David Crosby, and Stephen Stills.

This was the sixth album recorded by the group and the first to be wholly recorded in San Francisco, at Wally Heider's then state-of-the-art 16-track studio.